In 1958, teens in the L.A. area had an abundance of vinyl sources. Apart from the record shop on almost every street, Wallich’s Music City supplied the needs for the new and reissued vinyl and the newly opened Wenzel’s Music Town in Downey not only carried these sides, but was releasing records on their own Jack Bee label as of 1959. Thanks to DJs like Art LaBoe on KPOP and Huggy Boy on KWKW, who played these favored sides, much to the pleasure of those cruising various boulevards in the suburbs, the oldies scene began to heat up.
In the early 1960s, Wenzels began pressing custom metal acetates of songs not on otherwise on 45rpm and created a few select unlabeled 45s (Jimmy Reed b/w the Royal Tones), thus meeting needs of cruisers, oldies fans and record collectors of all stripes, which is why employees of nearby Wallich’s Music City in Lakewood considered Wenzel’s “a bootleg operation.” With these record buyers, stereo was not an attraction, thus rock and roll was not heard on FM radio, which lent itself to stereo broadcasts.
